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Review of "Old Man series" by John Scalzi

Scalzi is a real writer.

This is a review of the books Old Man's War, Ghost Brigade, Last Colony, and Zoe's Tale, all by John Scalzi. There isn't an offi­cial name of the series, but peo­ple refer to it as the Old Man series.

I guess I'm a tourist sci­ence fic­tion reader, in that I still care about things like char­ac­ter­i­za­tion and plot. I can cer­tainly enjoy explo­sions and melo­drama, and big ideas about the human con­di­tion are always wel­come, but some­times I want to sit down with a real meal. I want it all. For me, this series is a full, enjoy­able meal.

Review of "Night Angel Trilogy" by Brent Weeks

This tril­ogy is my new canon­i­cal exam­ple of a 1+2 tril­ogy. The first book is a self-contained story that exe­cutes well. Then the fol­low­ing con­ver­sa­tion between pub­lisher and author occurs1.

"This is great! This will sell. But you know what peo­ple really like? Trilo­gies. Was this a trilogy?"

"Sure! I mean, yes!"

  1. Entirely in my imag­i­na­tion.

Review of "A Short History of Nearly Everything" by Bill Bryson

I orig­i­nally read the first half of this book and had to return it to the library before fin­ish­ing. I remem­bered that read­ing expe­ri­ence as: "What a great book! But then work got really busy before I could fin­ish." This is almost never the case; if you love a book through­out, it sim­ply doesn't get crowded out. I bought it and read through the whole work.

The first half is my favorite, filled sto­ries about the eccentrics of the sci­en­tists and their pas­sion for some tiny piece of the unknown. Human knowl­edge lurches for­ward in fits and starts, and the knowl­edge endures.

It wasn't sim­ply that [Mary] Anning was good at spot­ting fos­sils — though she was unri­valed at that — but that she could extract them with the great­est del­i­cacy and with­out dam­age. If you ever have the chance to visit the hall of ancient marine rep­tiles at the Nat­ural His­tory Museum in Lon­don, I urge you to take it for there is no other way to appre­ci­ate the scale and beauty of what this young woman achieved work­ing vir­tu­ally unaided with the most basic tools in nearly impos­si­ble con­di­tions. The ple­siosaur alone took her ten years of patient exca­va­tion. Although untrained, Anning was also able to pro­vide com­pe­tent draw­ings and descrip­tions for schol­ars. But even with the advan­tage of her skills, sig­nif­i­cant finds were rare and she passed most of her life in poverty.

In few words, Bryson com­pletely sum­ma­rizes and cap­tures a rel­e­vant detail. Not just one detail but the whole of geek­ery and the sci­en­tific pursuit.

The book paints a clear pic­ture of a sci­en­tific estab­lish­ment — an indus­try. It's dif­fi­cult to indus­tri­al­ize the pur­suit of knowl­edge. Through­out the nar­ra­tive, peo­ple who act as the gate­keep­ers are regarded as suc­cess­ful by their aca­d­e­mic degrees and pub­li­ca­tions — but not nec­es­sar­ily by advanc­ing knowl­edge. Prop­a­gat­ing that sys­tem is equally or more impor­tant than gen­er­at­ing new knowl­edge. Like most human sys­tems, it's lossy and flawed, as illus­trated an early attempt to cor­rectly cat­e­go­rize dinosaur bones, Gideon Mantell:

Aware that his find­ing would entirely upend what was under­stood about the past, and urged by his friend the Rev­erend William Buck­land [of Oxford] to pro­ceed with cau­tion, Man­tell devoted three painstak­ing years to seek­ing evi­dence to sup­port his conclusions.

Man­tell pre­pared a paper for deliv­ery to the Royal Soci­ety. Unfor­tu­nately, it emerged that another dinosaur had been found at a quarry in Oxford­shire and had just been for­mally described — by the Rev­erend Buck­land, the very man who had urged him not to work in haste.

I found these sto­ries mov­ing and inspir­ing — not because self­ish peo­ple exist every­where, even in sci­ence! — but that sci­ence and human knowl­edge moves on despite such peo­ple. A person's sin­gu­lar pas­sion, inside or out­side the indus­try, can advance human under­stand­ing. It just won't nec­es­sar­ily make you happy, famous, or rich.

Unfor­tu­nately, the closer Bryson gets to the present, the drier and more information-dense the book becomes. By the end, it's a very long lec­ture — a won­der­ful one, and I learned a lot. Atomic the­ory, genet­ics, and other top­ics are all ele­gantly and con­cisely sum­ma­rized. But I wouldn't have reread the book if it were just the sec­ond half.

He seemed to stop telling sto­ries about the peo­ple behind the sci­ence. The best I can guess is that either the tragic fig­ures in ques­tion are still alive (or their imme­di­ate descen­dents are), or his­tory hasn't given us enough time to develop an objec­tive view. Regard­ing the lat­ter: the sci­en­tific com­mu­nity loses a lot of time get­ting caught up in an idea and then cool­ing off and real­iz­ing that per­haps it's not a valid one. Bryson describes this in lov­ing detail many times in Short His­tory; for exam­ple, with ether:

As late as 1909, the great British physi­cist J. J. Thom­son was insist­ing: "The ether is not a fan­tas­tic cre­ation of the spec­u­la­tive philoso­pher; it is as essen­tial to us as the air we breathe" — this more than four years after it was pretty incon­testably estab­lished that it didn't exist. Peo­ple, in short, were really attached to the ether.

I'd say that the first half of this book is bril­liant, and the sec­ond half is com­pe­tent and suf­fers only in fol­low­ing the first. I love this book, I rec­om­mend it to everyone.


Ama­zon links:

Review of "The Elephant Vanishes" by Haruki Murakami

I'm embar­rassed to admit that I picked this book up on a whim. At the time, rec­om­men­da­tions from friends felt too famil­iar, so I asked the staff at Brook­line Book­smith to find me a good read, with the hopes of dis­cov­er­ing some­thing I wouldn't oth­er­wise find. At the time, Murakami hadn't hit big yet — for Lit­er­ary val­ues of big, that is, not Stephanie Meyer big. I owe that book­seller a great debt.

Review of "His Majesty's Dragon" by Naomi Novik

Brightly writ­ten, started off with ter­rific pace. Strong nar­ra­tive voice, strong tone that made the Napoleonic era feel real. Won­der­ful atten­tion to detail in the set­ting. Then sud­denly down­shifted into what I can only call the getting-ready-for-a-long-series pace. The end­ing was a com­plete surprise–not the con­tent, but: “Oh. Oh! So that must have been the end­ing. This trail­ing mat­ter is an appen­dix of some sort.”

This will prob­a­bly read bet­ter as part of an anthol­ogy, but this first vol­ume wasn’t a com­plete story. A lot of spun plot threads and side char­ac­ters intro­duced, but only the small­est sub­threads resolved. Hey, check out the excit­ing next chap­ter! Noth­ing wrong with that, but the book as inde­pen­dent entity suf­fers con­sid­er­ably for it.

I enjoyed the page by page read­ing, even the book-as-part-of-a-series, but I’m not on board for an open-ended series just now. Novik's up to six and count­ing. A lit­tle quick research on Wikipedia says that she plans to stop at nine. I’ll cir­cle back in ten years and see how that worked out.

Ama­zon link: His Majesty's Dragon

Review of "Shadow and Claw" by Gene Wolfe

I was aware before start­ing Shadow and Claw that it was not pedes­trian fic­tion. It is not some­thing to plow through, or relax with. It is an allegory-heavy, lit­er­ary, fan­tas­tic tale. Hav­ing said that, it's about a tor­turer who is exiled from his guild, ends up with a mys­te­ri­ous and pow­er­ful relic, and then sleeps with a lot of women and com­pares them. He also oils and bran­dishes his sword a lot.

On Reviews and Reviewing

I'm a fan of reviews and thought­ful crit­i­cism. I also like to write reviews, but I've had a hard time fig­ur­ing out what to do with them.